KATHARINA GROSSE

born 1961 in Freiburg / Breisgau / lives and works in Berlin / 2000 - 2010 Professor at the Kunsthochschule Berlin-Weissensee / since 2010 Professor at the Kunstakademie Dusseldorf

AWARDS, FELLOW- AND SCHOLARSHIPS (selected)

2015 Otto-Ritschl-Kunstpreis / 2014 Oskar-Schlemmer-Award, Great State Prize for Visual Arts of Baden-Wuerttemberg / 2003 Fred Thieler Award, Berlin / 2002 Andy Warhol Residency Award, Headlands Foundation, San Francisco, CA, USA / 2001 Artist in Residence at Elam School of Fine Art program, Auckland, New Zealand/ 1999 The Chinati Foundation's Artist in Residence program, Marfa, TX, USA 1995 / Stiftung Kunstfonds Bonn, Germany / 1993 Schmidt-Rottluff Stipend, Germany / 1992/ Villa Romana Prize, Florence, Italy /

Click here for short CV PDF version

SOLO EXHIBITIONS (selected)

2017 Katharina Grosse, Galerie nächst St. Stephan, Vienna, Austria / Katharina Grosse, Gagosian Gallery, 555 W 24th St, New York, NY

2016 Katharina Grosse, MoMA PS1’s Rockaway! series, New York, USA / Katharina Grosse, Museum Frieder Burda, Baden-Baden, Germany / Barbara Gross Gallery, Munich, Germany

2015 Seven Hours, Eight Rooms, Three Trees, including permanent indoor installation, Museum Wiesbaden, Germany / yes no why later, Garage – Museum of Contemporary Art, Moscow, Russia / The Smoking Kid, KÖNIG Galerie, Berlin, Germany

2014 psychylustro, City of Philadelphia Mural Arts, Philadelphia, PA, USA / Ihr Verhalten steht im Widerspruch zu ihrer ziemlich heruntergekommenen Kleidung, Oskar Schlemmer Award, Staatsgalerie Stuttgart, Germany / Die Ball, Galerie Mark Müller, Zurich, Switzerland / Wer, Du? Wen, ich?, Kunstmuseum Graz, Austria / Inside the Speaker, Museum Kunstpalast Dusseldorf, Germany / Katharina Grosse, Showroom of n.b.k., Neuer Berliner Kunstverein, Berlin, Germany

2013 Two younger women come in and pull out a table, De Pont Museum, Tilburg, The Netherlands / WUNDERBLOCK, Nasher Sculpture Center, TX, Dallas / mein schreibtisch, das schneefeld, Kurt-Kurt, Berlin, Germany / Snakes lie between her and the shore, Galerie nächst St. Stephan, Vienna, Austria / Just Two Of Us, Public Art Fund, New York, NY, USA / Psychopapier, KÖNIG Galerie, Berlin, Germany

2012 They Had Taken Things Along To Eat Together, KÖNIG Galerie, Berlin, Germany / Can You Spell Mixing , Dirimart, Istanbul, Turkey / Third Man Begins Digging Through Her Pockets, MOCA Cleveland, OH, USA

2011 MÄNNER SOLLEN FRAUEN WOLLEN, Barbara Gross Galerie, Munich, Germany / In Seven Days Time, permanent outdoor sculpture, Kunstmuseum Bonn, Bonn, Germany

2010 Katharina Grosse, Quadriennale 2010 Dusseldorf, Germany / One Floor Up More Highly, MASS MoCA, North Adams, MA, USA / Come Nino Come, Galeria Helga de Alvear, Madrid, Spain

2009 Shadowbox, Temporäre Kunsthalle, Berlin, Germany / stuntweed, Neues Museum, Nuremberg, Germany / Hello Little Butterfly I Love You What's Your Name, ARKEN Museum for Moderne Kunst, Ishøj, Denmark / Blut baut das Herz, Galerie Nächst St.Stephan, Vienna, Austria / The Greedy I, Galerie Mark Müller, Zurich, Switzerland

2008 Skrow No Repap, FRAC Auvergne, Clermont-Ferrand, France (Part 2) / Another Man Who Has Dropped His Paintbrush–Un altro uomo che ha fatto sgocciolare il suo pennello, Galleria Civica di Modena, Modena, Italy

2007 Atoms Outside Eggs, Museu de Arte Contemporânea de Serralves, Porto, Portugal / Atoms Inside Ballons, Renaissance Society, Chicago, IL, USA / Picture Park, Queensland Art Gallery South Bank, Brisbane, Australia / The Surburban, Chicago, IL, USA / Wall installation, Museum Bochum, Germany (until 2016) / The Flowershow, FRAC Auvergne, Clermont-Ferrand, France (Part 1) / This Is Not My Cat, Gow Langsford Gallery, Auckland, New Zealand

2006 Holey Residue, De Appel Centre, Amsterdam, The Netherlands / Cincy, Contemporary Arts Center, Cincinnati, OH, USA / quote of the day, Galerie Conrads, Dusseldorf, Germany / Taxi und Tour, Mark Müller, Zurich, Switzerland / Town and Country, The Factory for Art and Design, Copenhagen, Denmark / Faux Rocks, Galerìa Helga de Alvear, Madrid, Spain / INCAMERA, Barbara Gross, Munich, Germany

2005 Constructions Á Cru, Palais de Tokyo, Paris, France / Chromicum Alumen Comp., Solvent Space, Richmond, VA, USA / Something Leadlight, Bergen Kunsthall, Bergen, Norway / Bee Troot, Christopher Grimes Gallery, Santa Monica, CA, USA / quote of the day, Galerie Conrads, Dusseldorf, Germany

2004 Infinite Logic Conference, Magasin 3 Stockholm Konsthall, Stockhom, Sweden / Double Floor Painting, Kunsthallen Brandts Klædefabrik, Odense, Denmark / Katharina Grosse, SAFN - Contemporary Art Collection, Reykjavik, Island / Perspectives 143: Katharina Grosse, CAMH–Contemporary Arts Museum Houston, TX, USA / If Music No Good I No Dance, Viafarini, Milan, Italy / Some Atlas, Galeria Filomena Soares, Lisbon, Portugal / Everything inside me is sprayed white, Galerie Nächst St. Stephan, Vienna, Austria

2003 Fred-Thieler-Preis 2003, Berlinische Galerie, Berlin, Germany / Punkbreite bewegt, Mark Müller, Zurich, Switzerland / ohne sattel reiten II, Galerie Conrads, Dusseldorf, Germany / Katharina Grosse, Christopher Grimes Gallery, Santa Monica, CA, USA

2002 Cool Puppen, Ikon Gallery, Birmingham, United Kingdom / Cool Puppen, Städtische Galerie im Lenbachhaus, Munich, Germany / Der weisse Saal trifft sich im Wald, Kunstmuseum St. Gallen, St. Gallen, Switzerland / Inside the White Cube, White Cube, London, UK / Ich wüßte jetzt nichts, Kunsthalle zu Kiel, Kiel Germany / Katharina Grosse, Barbara Gross, Munich, Germany

2001 Billboard, Auckland / Katharina Grosse, UCLA Hammer Museum, Los Angeles, CA, USA / Katharina Grosse, Artsonje Museum, Gyeongju, South Korea / Katharina Grosse, Kunstverein Ruhr, Essen, Germany / Katharina Grosse, Galerie Nächst St. Stephan, Vienna, Austria / Sarah Cottier Gallery, Sydney

2000 Galerie Mark Müller, Zurich, Switzerland / Galerie Sfeir-Semler, Hamburg, Germany

1999 Szene Rheinland–Katharina Grosse, Rheinisches Landesmuseum, Bonn, Germany / Cheese Gone Bad, Chinati Foundation, Marfa, TX, USA / Die Farbe hat mich, Kunstverein Bochum, Bochum, Germany / Barbara Gross Galerie, Munich, Germany

1998 Katharina Grosse, Kunstverein Heilbronn, Heilbronn, Germany / Project space–Katharina Grosse, Kunsthalle Bern, Bern, Switzerland / Sightspacific, Kunstverein Bremerhaven, Bremerhaven, Germany / Todd Gallery, London, UK

1997 Petra Bungert Gallery, New York, NY, USA / Galerie Conrads, Dusseldorf, Germany

1996 Bildflächen-Malerei, Overbeck-Gesellschaft, Lübeck, Germany

1995 Mark Müller, Zurich, Switzerland

1994 Katharina Grosse, Altes Kunstmuseum, Bonn, Germany

1993 Katharina Grosse, Kunstverein Hochrhein, Bad Säckingen, Germany

1992 Modedeparis, Château de Servières, Marseille, France

GROUP EXHIBITIONS (selected)

2017 ARoS THE GARDEN – End of Times; Beginning of Times. The Garden - The Future, Aarhus, Denmark / Mentally Yellow (High Noon), Kunstmuseum Bonn and Städtische Galerie im Lenbachhaus, Munich, Germany / Paint on. Dimensions of the Painterly, Bayerische Staatsgemäldesammlungen – Pinakothek der Moderne, Munich, Germany

2016 Tango Them Basel, Galerie Mark Müller, Zurich, Switzerland / Wahlverwandtschaften, The Latvian National Museum of Art, Riga, Latvia / Ortswechsel—works from the Kunstmuseum Bonn, SCHAUWERK Sindelfingen, Germany / My Abstract World, me Collectors Room, Berlin, Germany

2015 All the World’s Future, 56th Biennale di Venezia, Italy / Sprayed, Gagosian Gallery, London, UK

2014 Wizz eyelashes, Magasin 3, Stockholm Konsthall, Sweden / Barbara und Katharina Grosse, Kunstsammlung der Ruhr Universität Bochum / NEON – vom Leuchten der Kunst, Stadtgalerie Saarbrücken, Germany

2013 An der Isar, Städtische Galerie im Lenbachhaus, Munich, Germany /6a Bienal de Curitiba, Brazil / My Crippled Friend, CCAD, Columbus, OH, USA /At Work – Studio and Production as a Subject of Today’s Art, Museum für Gegenwartskunst Siegen, Siegen, Germany / Wall Works, Hamburger Bahnhof–Museum für Gegenwart, Berlin, Germany / The Circle Walked Casually, KunstHalle Deutsche Bank, Berlin, Germany

2012 Tel Aviv Museum of Art, Israel / Universitá degli Studi di Sassari, Italy / Albright-Knox Art Gallery, Buffalo, USA / Paul Kasmin Gallery, New York, USA

2011 Stiftung Kunstmuseum Stuttgart / Staatliche Kunsthalle Baden-Baden, Germany / Tate St. Ives, Great Britain / Museum of Contemporary Art Tokyo, Japan / Weserburg - Museum für moderne Kunst / Home of HDLU - Mestrovic Pavillion, Zagreb, Croatia

2010 Rudolf Steiner und die Kunst der Gegenwart, Kunstmuseum Wolfsburg / Quadreinnale Düsseldorf / Museu de Art de Sao Paulo, Brasil / Huanhuan (Today Art Museum), Beijing / Kunsthalle Rostock

2009 Helmhaus, Zürich / Embrace!, Denver Art Museum / Space as Medium, Miami Art Museum

2008 Kunstmuseum Bern / De Pont Foundation for Contemporary Art, Tilburg / Artium de Alava, Vitoria-Gasteiz / New Orleans Biennial, New Orleans / Christopher Grimes Gallery, Los Angeles

2007 Franchise Foundation, Leeuwarden / Sistemi e motivi, Centro di Cultura Contemporanea Strozzina, Palazzo Strozzi, Florence

2006 Tokyo-Berlin/Berlin-Tokyo, Mori Art Museum, Tokyo / DEUTSCHE WANDSTÜCKE Sette scene di nuova pittura germanica, Museion, Bozen / Der blaue Reiter im 21. Jahrhundert, Städtische Galerie im Lenbachhaus, Munich / Taipei Biennial, Taipei

2005 Extreme Abstraction, Albright-Knox Art Gallery, Buffalo

2004 raumfürraum, Kunsthalle Düsseldorf und Kunstverein für die Rheinlande und Westfalen, Dusseldorf

2003 deutschemalereizweitausenddrei, Frankfurter Kunstverein, Frankfurt am Main / There’s no land but the land, Meyer Riegger Galerie, Karlsruhe / 3D, Friedrich Petzel Gallery, New York / German Contemporary Art, Busan Metropolitan Art Museum, Busan, South Korea / New abstract painting – painting abstract now. Abstraktion in der neuen Malerei, Museum Morsbroich Leverkusen / Soziale Fassaden u.a., Städtische Galerie im Lenbachhaus, Munich / Grazie, Stiftung Schloß Dyck, Jüchen / PAINTING4, The Rose Art Museum, Brandeis University, Waltham / CASO, Osaka / Process, Kiasma, Museum of Contemporary Art, Helsinki / Final Cuts, Union, London

2002, SMAK, Gent 2002 25a Bienal de São Paulo, São Paulo / Urgent Painting, Musée d’Art Moderne de la Ville de Paris / Minibienal do Chile, Santiago de Chile

2001 milano europa 2000, PAC, Milano / Ex(o)DUS, Haifa Museum of Art, Haifa / Casino

2000 Zeitwenden, Museum moderner Kunst Stiftung Ludwig Wien, Vienna / Bleibe, Akademie der Künste, Berlin / Das Gedächtnis der Malerei, Aargauer Kunsthaus Aarau / Preis der Nationalgalerie für junge Kunst, Nationalgalerie im Hamburger Bahnhof, Berlin / Dr. Paint, Galerie Monika Reitz, Frankfurt am Main

1999 Chroma, Malerei der neunziger Jahre, Kunsthalle Nurnberg / Viereck und Kosmos, Amden und Kunsthaus Glarus / Ausloten: Fünf Positionen autonomer Malerei, Kunstverein Göttingen / Selections Fall '99, The Drawing Center, New York / Zeitwenden, Kunstmuseum Bonn

1998 Every Day, 11th Biennale of Sydney, Sydney

1997 Abstraction/Abstractions – Geómétries Provisoires, Musée d´Art Moderne Saint-Etienne / Topping Out, Städtische Galerie Nordhorn

1996 Farbe – Malerei der 90er Jahre, Kunstmuseum Bonn

1995 Karo Dame, Aargauer Kunsthaus, Aarau / Karl Schmidt-Rottluff Stipendiaten, Kunsthalle Dusseldorf

Selected publications and exhibition catalogs

Katharina Grosse. Exhibition catalog, Museum Frieder Burda. Contributions by Helmut Friedel and Katrin Dillkofer (both in German), Cologne, 2016.

Katharina Grosse. Seven Hours, Eight Voices, Three Trees, exhibition catalog, Museum Wiesbaden. Contributions by Ann Cotten, Dustin Breitenwischer, Jörg Daur, Alexander Klar, Sally McGrane, Teresa Präauer, Annika Reich, Monika Rinck, Cologne, 2015.

Katharina Grosse. psychylustro, exhibition catalog City of Philadelphia Mural Arts Program. Contributions by Douglas Ashford, Anthony Elms, Jane Golden, Daniel Marcus, Elizabeth Thomas, Cologne 2015.

Katharina Grosse. Inside the Speaker, exhibition catalog, Museum Kunstpalast, Dusseldorf. Contributions by Dustin Breitenwischer, Philipp Kaiser, Ulrich Loock, Beat Wismer, Cologne 2014.

Katharina Grosse. Wer, ich? Wen, Du?, exhibition catalog, Kunsthaus Graz, Austria. Contributions by Peter Pakesch, Katrin Bucher Trantow, Adam Budak, Graz 2014.

Katharina Grosse. Monograph. Contributions and published by Ulrich Loock, Annika Reich, Katharina Grosse, Cologne 2013.

Katharina Grosse. WUNDERBLOCK, exhibition catalog, Nasher Sculpture Center, Dallas, TX, USA. Contributions by Jeremy Strick, Catherine Craft, Dallas 2013.

Katharina Grosse. One floor up more highly, exhibition catalog, MASS MoCA, MA, North Adams, USA. Contribution by Susan Cross, Massachusetts 2012.

Katharina Grosse. Eat child eat. Contribution by Ulrich Wilmes, Berlin, 2011.

Katharina Grosse.Transparent Eyeballs, exhibition catalog, Quadriennale 2010, Kunsthalle Dusseldorf. Contributions by Gregor Jansem, Annika Reich, Uwe Vetter, Dusseldorf 2011.

Barbara und Katharina Grosse, exhibition catalog, Museum für Neue Kunst Freiburg. Contributions by Walter von Lucadou, Isabel Herda, Nuremberg 2010.

Katharina Grosse. Atoms Inside Balloons, exhibition catalog, The Renaissance Society at the University of Chicago, Chicago, ILL, USA. Contributions by David Hilbert, Nana Last and Hamza Walker, Chicago 2009.

Katharina Grosse. Shadowbox, exhibition catalog, Temporäre Kunsthalle Berlin. Contributions by Laura Bieger, Katja Blomberg, Uta Degner, Antje Dietze, Alexander Koch, Gerd G. Kopper, Cologne 2009.

Katharina Grosse. Ich wünsche mir ein grosses Atelier im Zentrum der Stadt. Contributions by Georg Augustin, Laura Bieger, Andreas Denk, Ulrich Loock, Philip Ursprung, Baden, Switzerland 2009.

Katharina Grosse. The Flowershow / SKROW NO REPAP, exhibition catalog, FRAC Auvergne, Clermont-Ferrand. Contribution by Jean-Charles Vergne, Cologne 2008.

Katharina Grosse. Another Man Who Has Dropped his Paintbrush, exhibition catalog, Galleria Civica di Modena. Contributions by Arno Brandlhuber & Katharina Grosse, Milovan Farronato, Angela Vettese, Cologne 2008.

Katharina Grosse. Atoms Outside Eggs, exhibition catalog, Museu de Arte Contemporânea (Fundação de Serralves), Porto. Contributions by Leonhard Emmerling, Ulrich Loock, Porto 2007.

Katharina Grosse. The Poise of the Head und die anderen folgen, exhibition catalog, Kunstmuseum Bochum. Contributions by Hans Gunther Golinski and Katharina Grosse, Nuremberg 2007.

Katharina Grosse. Picture Park, exhibition catalog, Queensland Art Gallery/Gallery of Modern Art. Contributions by Nicholas Chambers, Robert Leonard, Brisbane 2007.

Katharina Grosse. Holey Residue, exhibition catalog, de Appel, Amsterdam. Contribution by Janneke Wesseling, Amsterdam 2006.

Katharina Grosse. Double Floor Painting, exhibition catalog, Kunsthallen Brandts Klaedefabrik, Denmark. Contributions by Lene Burkard, Tor Nørretranders, Cecilie Bepler, Odense 2004.

Katharina Grosse. Infinite Logic Conference, exhibition catalog, Magasin 3 Stockholm Konsthall, Sweden. Contributions by Richard Julin, Lars Mikael Raattamaa, Stockholm 2004.

Katharina Grosse. Fred Thieler Preis für Malerei 2003, exhibition catalog, Berlinische Galerie, Berlin. Contribution by Armin Zweite, Berlin 2003.

Katharina Grosse. Cool Puppen / Der weisse Saal trifft sich im Wald / Ich wüsste jetzt nichts, exhibition catalog, Ikon Gallery, Birmingham; Städtische Galerie im Lenbachhaus, München; Kunstmuseum St. Gallen, St. Gallen; Kunsthalle zu Kiel, Kiel. Contributions by Marion Ackermann, Beate Ermacora, Jonathan Watkins, Roland Wäspe, Wolfratshausen 2002.

Katharina Grosse. Exhibition catalog, Kunstverein Ruhr. Contribution by Peter Friese, Essen 2002.

Katharina Grosse. Location, Location, Location, Contributions by Steffen Bodekker, Roman Kurzmeyer, Judy Millar, Retrograde Strategies Cooperative, Angela Schneider, Beat Wismer, Dusseldorf 2002.

Authors listed alphabetically

Ackermann, Marion: “Cool Puppen. On Katharina Grosse’s Wall Pieces”, in: Cool Puppen / Der weisse Saal trifft sich im Wald / Ich wüsste jetzt nichts, exhibition catalog, Ikon Gallery, Birmingham; Städtische Galerie im Lenbachhaus, München; Kunstmuseum St. Gallen, St. Gallen; Kunsthalle zu Kiel, Kiel, Wolfratshausen 2002, pp. 56-66.

Adolphs, Volker: “Der andere Ort der Malerei”, in: Zeitwenden – Ausblick, exhibition catalog, Kunstmuseum Bonn, Cologne 1999, pp. 122.

Ashford, Douglas: “A non-human being painting“, in: psychylustro, exhibtion catalog City of Philadelphia Mural Arts Program. Contributions by Douglas Ashford, Anthony Elms, Jane Golden, Daniel Marcus, Elizabeth Thomas, Cologne 2015, pp. 58-64.

Baumgärtel, Bettina: “Katharina Grosse”, in: Augenzeugen – Die Sammlung Hanck, exhibition catalog, Ehrenhof at Kunstmuseum Dusseldorf, Dusseldorf 1997, p. 70.

Bieger, Laura: “Between, Submergence and Emergence: Toward an aesthetic of critical distance”, in: Shadowbox, exhibition catalog, Temporäre Kunsthalle Berlin, Cologne 2009, pp. 77-83.

Bieger, Laura: “Wenn Häuser wollen”, in: Ich wünsche mir ein grosses Atelier im Zentrum der Stadt, Baden, Switzerland 2009, pp.82-86.

Blomberg, Katja: “Shadowbox”, in: Shadowbox, exhibition catalog, Temporäre Kunsthalle Berlin, Cologne 2009, pp. 9-16.

Bodekker, Steffen: “In Marfa”, in: Location, Location, Location, Dusseldorf 2002, pp. 21-26.

Brandlhuber, Arno & Grosse, Katharina: “Do You Think Architecture Is...”, in: Another Man Who Has Dropped his Paintbrush, exhibition catalog, Galleria Civica di Modena, Cologne 2008, pp. 59-66.

Breitenwischer, Dustin: “Taking a break, or: the art of dual countering”, in: Inside the Speaker, exhibition catalog Museum Kunstpalast Dusseldorf, Cologne 2014, pp. 110-122.

Breitenwischer, Dustin: “ (7) felled / (8) on the move / (3) reinforced“, in: Katharina Grosse. Seven Hours, Eight Voices, Three Trees, exhibition catalog Museum Wiesbaden. Contributions by Ann Cotten, Dustin Breitenwischer, Jörg Daur, Alexander Klar, Sally McGrane, Teresa Präauer, Anika Reich, Monika Rinck, Cologne, 2015, pp. 100-107.

Burkhard, Lene: “Double Floor Painting”, in: Double Floor Painting, exhibition catalog, Kunsthallen Brandts Klaedefabrik, Denmark, Odense 2004, pp.12-15.

de Chassey, Eric: “Katharina Grosse”, in: Vitamin P. New Perspectives in Painting, London/New York 2002, pp. 130-133.

Cotten, Ann: “ CLARA CLARITY speaks, BUT IT IS TOO EASY TO UNDERSTAND TO UNDERSTAND“, in: Katharina Grosse. Seven Hours, Eight Voices, Three Trees, exhibition catalog Museum Wiesbaden. Contributions by Ann Cotten, Dustin Breitenwischer, Jörg Daur, Alexander Klar, Sally McGrane, Teresa Präauer, Anika Reich, Monika Rinck, Cologne, 2015, pp. 98-99.

Cross Susan: “Anarchy, Entropy, Simultaneity: Katharina Grosse, Space and Color”, in: One floor up more highly, exhibition catalog, MASS MoCA, North Adams, USA, Massachusetts 2012, pp. 29-35

Christofori, Ralf: “Farbenangst – Erhabenes Gefühl: Katharina Grosse in Heilbronn”, in: FAZ 16.2.1998.

Daur, Jörg: “Zoom in/Zoom out“, in: Katharina Grosse. Seven Hours, Eight Voices, Three Trees, exhibition catalog Museum Wiesbaden. Contributions by Ann Cotten, Dustin Breitenwischer, Jörg Daur, Alexander Klar, Sally McGrane, Teresa Präauer, Anika Reich, Monika Rinck, Cologne, 2015, pp. 58-65.

Degner, Uta: “Authoring clouds”, in: Shadowbox, exhibition catalog, Temporäre Kunsthalle Berlin, Cologne 2009, pp. 69-76.

Denk, Andreas: “Kunst Raum Katalysator. Eine Begegnung”, in: Ich wünsche mir ein grosses Atelier im Zentrum der Stadt, Baden, Switzerland 2009, pp.128–132

Denk, Andreas: “Physikalischer Realismus – Ein Versuch zur Malerei von Katharina Grosse”, in: Katharina Grosse, exhibition catalog, Karl-Schmidt-Rottluff-fellowship, Kunsthalle Dusseldorf, Dusseldorf 1995.

Dillkofer, Katrin: "Über die wesentliche Unbestimmbarkeit in Katharina Grosses Malerei", in: Katharina Grosse. Exhibition catalog, Museum Frieder Burda, Baden-Baden, Cologne 2016, pp. 81-96.

Dietze, Antje: “Katharina Grosse, The treachery of images”, in: Shadowbox, exhibition catalog, Temporäre Kunsthalle Berlin, Cologne 2009, pp. 91-100.

Ebony, David: “chromatic theater”, in: Art in America, no. 8, September 2011, pp. 96-103.

Elben, Georg: “Entfernung und Nähe – Das Wandbild von Katharina Grosse im Telekomgebäude von Wesel”, in: Katharina Grosse, Telekom-Niederlassung Wesel, Dusseldorf 1995.

Emmerling, Leonhard: “The bruise”, in: Atoms Outside Eggs, exhibition catalog, Fundação de Serralves, Porto. Porto 2007, Pp. 119-129.

Ermacora, Beate: “Ich wüßte jetzt nichts. Linienarbeiten auf Papier und Leinwand”, in: Cool Puppen / Der weisse Saal trifft sich im Wald / Ich wüsste jetzt nichts, exhibition catalog, Ikon Gallery, Birmingham; Städtische Galerie im Lenbachhaus, München; Kunstmuseum St. Gallen, St. Gallen; Kunsthalle zu Kiel, Kiel, Wolfratshausen 2002, pp. 126-133.

Ermen, Reinhard: “Katharina Grosse: Malerei”, in: Kunstforum International, vol. 140, April/Juni 1998, pp. 408.

Farronato, Milovan: “Wherever You Are”, in: Another Man Who Has Dropped his Paintbrush, exhibition catalog, Galleria Civica di Modena, Cologne 2008, pp. 96-105.

Fettweis, Gerhard: “Flächenzuwachs”, in: Junger Westen, exhibition catalog, Kunsthalle Recklinghausen. Recklinghausen 1993, pp. 30-33.

Friedel, Helmut: "Die Malerei und ihre Sehebenen", in: Katharina Grosse. Exhibition catalog, Museum Frieder Burda, Baden-Baden, Cologne 2016, pp. 81-88.

Friese, Peter: “Raum für Malerei”, in: Katharina Grosse, exhibition catalog, Kunstverein Ruhr, Essen, Essen 2002, pp. 3-17.

Fuchs, Rainer: “Malerei als Beziehungsspiel - Anmerkungen zu Katharina Grosse”, in: Parkett, no. 63, 2001, pp. 154-162.

Golden, Jane: "Afterword“, in: psychylustro, exhibtion catalog City of Philadelphia Mural Arts Program. Contributions by Douglas Ashford, Anthony Elms, Jane Golden, Daniel Marcus, Elizabeth Thomas, Cologne 2015, pp. 91-94.

Golinski, Hans Günther: “Die Bochumer Wand – Eine situationsbezogene Betrachtung der Wandmalerei von Katharina Grosse im Kunstmuseum Bochum“, in: The Poise of the Head und die anderen folgen, exhibition catalog, Kunstmuseum Bochum, Nuremberg 2007, pp. 5-9.

Grigoteit, Ariane, in: Zeitgenössische Kunst in der Deutschen Bank – Trianon, Cologne 1994, p. 42.

Herda, Isabel: “Transformation and Reception”, in: Barbara und Katharina Grosse, exhibition catalog, Museum for Neue Kunst Freiburg, Nuremberg 2010, pp. 59-61.

Hilbert, David: “Spraying Color”, in: Katharina Grosse: Atoms Inside Balloons, exhibition catalog, The Renaissance Society at the University of Chicago, Chicago, ILL, USA, Chicago 2009, pp. 240-251 Hollaus, Invar: “Katharina Grosse”, in: Allgemeines Künstler Lexikon. Die Bildenden Künstler aller Zeiten und Völker, vol. 63, Munich/Leipzig 2009, pp.151-155.

Hübl, Michael: “Farbe ohne Grenzen”, in: Kunstforum International, no. 176, Juni-August 2005, pp. 382-383.

Hug, Cathérine: “Chromophilia”, in: EINEmagazine, no. 4, Vienna 2012, pp. 128-135.

Imdahl, Georg: “Die beißende Farbe hat mich”, in: Die Farbe hat mich. Positionen zur nicht-gegenständlichen Malerei. Published by Michael Fehr, Essen 2000, pp. 83-86.

Jonas-Edel, Andrea: “Über Katharina Grosse”, in: Artist Kunstmagazin, no. 30, 1997, pp.18-21.

Jonas-Edel, Justus: “Die Unscheinbarkeit des Bildes – Zu den neuen Arbeiten von Katharina Grosse”, in: Farbe – Malerei der 90er Jahre, exhibition catalog, Kunstmuseum Bonn, Bonn 1996, pp. 42-45.

Kaiser, Philipp: “Expansive Formations”, in: Inside the Speaker, exhibition catalog, Museum Kunstpalast Dusseldorf, Cologne 2014, pp. 68-73

Klar, Alexander: “What color is the color behind the color?“, in: Katharina Grosse. Seven Hours, Eight Voices, Three Trees, exhibition catalog Museum Wiesbaden. Contributions by Ann Cotten, Dustin Breitenwischer, Jörg Daur, Alexander Klar, Sally McGrane, Teresa Präauer, Annika Reich, Monika Rinck, Cologne, 2015, pp. 66-73.

Kopper, Gerd G.: “Reality machine”, in: Shadowbox, exhibition catalog, Temporäre Kunsthalle Berlin, Cologne 2009, pp. 85-90.

Köhnen, Ralph: “Riskante Systeme”, in: Laubacher Feuilleton, no. 9, Munich 1994.

Köhnen, Ralph: “Vom System zum Rhizom”, in: Künstler, Kritisches Lexikon der Gegenwartskunst, Ausgabe 66, Munich 2004.

Kurzmeyer, Roman: “The look that has become painting”, in: Katharina Grosse, Nuremberg 1998, pp. 36-39.

Kurzmeyer, Roman: “Snake-leather belt”, in: Ausloten – Fünf Positionen autonomer Malerei: Katharina Grosse, exhibition catalog, Kunstverein Göttingen, Göttingen 1999.

Kurzmeyer, Roman: “Gegenwart, ihre Umsetzung in Malerei, in Südkorea”, in: Katharina Grosse. Location, Location, Location, Dusseldorf 2002, pp. 77-85.

Kurzmeyer, Roman: “Reflexiv”, in: Parkett, no. 74, New York / Zurich 2005, pp. 140- 143.

Last, Nana: “Katharina Grosse: Atoms Inside Ballons ”, in: Katharina Grosse: Atoms Inside Balloons, exhibition catalog, The Renaissance Society at the University of Chicago, Chicago, ILL, USA, Chicago 2009, pp. 228-239

Lavrador, Judicaël: “New Orleans/exterior“ in: Qu’est-ce que l’art aujourd’hui? Paris 2009, pp. 242.

LeVitte, Doreet & Mascher, Markus: “Katharina Grosse”, in: Ex(o)DUS, exhibition catalog, Haifa Museum of Art, Haifa 2001, pp. 36.

Loock, Ulrich, Contribution in: Katharina Grosse, monograph, edited by Ulrich Loock, Annika Reich, Katharina Grosse, Cologne 2013, pp.51-53,70-71, 92-95, 116-117, 135-137, 160-161, 170-171, 195-197211-213230-233, 278-279, 292-293, 308-309, 323-326

Loock, Ulrich: “Dividing Lines”, in: Inside the Speaker, exhibition catalog, Museum Kunstpalast Dusseldorf, Cologne 2014, pp. 86-98

Loock, Ulrich: “Das Haus und die Malerei”, in: Ich wünsche mir ein grosses Atelier im Zentrum der Stadt, Baden, Switzerland 2009, pp.66-72

Loock, Ulrich: “The roving gaze spectacle”, in: Atoms Outside Eggs, exhibition catalog, Fundação de Serralves, Porto 2007, pp. 11-18.

Lunn, Felicity: “Katharina Grosse”, in: Artforum, vol. 41, no. 5, Jan. 2003, pp. 146.

Luz, Kathrin: “Gedanken an die Wand gesprüht. Katharina Grosse”, in: Iserlohn Dornbracht Culture Projects, vol. 1, June 2003, pp. 24-33.

MacGrane, Sally: “Past Life“ in: Katharina Grosse. Seven Hours, Eight Voices, Three Trees, exhibition catalog Museum Wiesbaden. Contributions by Ann Cotten, Dustin Breitenwischer, Jörg Daur, Alexander Klar, Sally McGrane, Teresa Präauer, Annika Reich, Monika Rinck, Cologne, 2015, pp. 50-57.

Maier, Ati: “Katharina Grosse”, in: BOMB Magazine, no. 115, Spring 2011, pp. 68-76.

Martens, Anne: “Katharina Grosse”, in: Flash Art, vol. 36, no. 231, July-September 2003, pp. 119-120.

Millar, Judy: “Location, Location, Location”, in: Katharina Grosse. Location, Location, Location, Dusseldorf 2002, pp. 62-64.

Mitchell, Charles: “K. Grosse at Petra Bungert”, in: Art In America, September 1997.

Morineau, Camille: “Katharina Grosse. Du coin de l’oeil, la couleur”, in: Abstraction/Abstractions –Géométries Provisoires, exhibition catalog, Musée d’Art Moderne, Saint-Etienne 1997, pp.110.

Müller, Sabine Elsa: „Katharina Grosse. To me the world is more like an everchanging fluid which I am part of“ in: Kunstforum International Bd. 226 - Juni 2014 - Obsessionen II, Roßdorf, 2014, pp.156-171.

Müller-Tamm, Pia: “Katharina Grosse”, in: K21 Kunstsammlung Nordrhein-Westfalen, Cologne, 2005, pp. 84-85.

Neri, Louise: “Katharina Grosse”, in: Antipodes. Inside the White Cube, Cologne 2003, pp. 58-69.

Nickas, Bob: “Katharina Grosse”, in: The Indiscipline of Painting, exhibition catalog, Mead Gallery, Tate St Ives, Warwick Arts Centre, Tate 2011, pp. 62-63.

Nickas, Bob: “Painting Abstraction”, in: New Elements in Abstract Painting, New York, 2009, pp. 352.

Nørretranders, Tor: “Spray it on. Wipe it off. It is clear!”, in: Double Floor Painting, exhibition catalog, Kunsthallen Brandts Klaedefabrik, Denmark, Odense 2004, pp. 32-52.

Obrist, Hans Ulrich: “Orly. Ein Gespräch mit Katharina Grosse”, in: Parkett, no. 74, New York / Zurich 2005, pp. 126-133.

Peschke, Marc: “Farbe transformiert Material”, in: ARTMAPP, no. 6, Hamburg 2014, pp.182-183.

Petersen, Anne Ring: “Painting Spaces“, in: Contemporary Painting in Context, Copenhagen 2010, pp. 131-137.

Pfleger, Susanne: “Über die Malerei von Katharina Grosse”, in: Kunstpreis Villa Romana Florenz, Florence 1992, p. 26.

Präauer, Teresa: “True Colors“, in: Katharina Grosse. Seven Hours, Eight Voices, Three Trees, exhibition catalog Museum Wiesbaden. Contributions by Ann Cotten, Dustin Breitenwischer, Jörg Daur, Alexander Klar, Sally McGrane, Teresa Präauer, Annika Reich, Monika Rinck, Cologne, 2015, pp. 82-89.

Ragona, Melissa: “Katharina Grosse: lush irreverence”, in: Art Papers, vol. 32, no.5, Sept-Oct 2008, pp. 38-47.

Raattamaa, Lars Mikael: “Paint more (Sprawl 2)”, in: Infinite Logic Conference, exhibition catalog, Magasin 3 Stockholm Konsthall, Stockholm, Sweden 2004, pp. 40-47.

Reich, Annika: “Leafing through the world“, in: Katharina Grosse. Seven Hours, Eight Voices, Three Trees, exhibition catalog Museum Wiesbaden. Contributions by Ann Cotten, Dustin Breitenwischer, Jörg Daur, Alexander Klar, Sally McGrane, Teresa Präauer, Annika Reich, Monika Rinck, Cologne, 2015, pp. 74-81. Retrograde Strategies Cooperative: “Grosse Rückbau”, in: Katharina Grosse. Location, Location, Location, Dusseldorf 2002, pp. 49-53.

Rinck, Monika: “Il Psicopompo and the Guards“, in: Katharina Grosse. Seven Hours, Eight Voices, Three Trees, exhibition catalog Museum Wiesbaden. Contributions by Ann Cotten, Dustin Breitenwischer, Jörg Daur, Alexander Klar, Sally McGrane, Teresa Präauer, Annika Reich, Monika Rinck, Cologne, 2015, pp. 90-97.

Rönnau, Jens: “Katharina Grosse”, in: Kunstforum International, no. 164, March-May 2003, pp. 287-280.

Ryan, David: “David Ryan on Katharina Grosse and Karin Sander: transverse space”, in: Contemporary Visual Arts (U.K.), no. 27, 2000, pp. 32-37.

Schneider, Angela: “Der Hamburger Bahnhof”, in: Katharina Grosse. Location, Location, Location, Dusseldorf 2002, pp. 44-47.

Schröer, Carl-Friedrich: “Malerei als zeitloser Dialog”, in: Art, Das Kunstmagazin, 10/1993, pp. 69.

Schwabsky, Barry: “Katharina Grosse”, in: Artforum, vol. 50, no. 7, March 2012, pp. 283.

Schweighöfer, Kerstin: “Die Befreiung der Malerei”, in: Art. Das Kunstmagazin, pt. 9, September 2005, pp. 52-61.

Seifermann, Ellen: “The sensual presence of colour”, in: Katharina Grosse, Nuremberg 1998, pp.4-7.

Thomas, Elizabeth: “The border is an invitation“, in: psychylustro, exhibtion catalog City of Philadelphia Mural Arts Program. Contributions by Douglas Ashford, Anthony Elms, Jane Golden, Daniel Marcus, Elizabeth Thomas, Cologne 2015, pp.23-32.

Ursprung, Philip: “A Face in the Crowd. Katharina Grosses Künstlerhaus”, in: ARCH+. Zeitschrift für Architektur und Städtebau, 201/202, March 2011, pp. 162-169.

Ursprung, Philip: “A Face in the Crowd. Katharina Grosses Künstlerhaus”, in: Ich wünsche mir ein grosses Atelier im Zentrum der Stadt, Baden, Switzerland 2009, pp.110-118.

Vergne, Jean-Charles: “Crass beauty”, in: The Flowershow / SKROW NO REPAP, exhibition catalog, FRAC Auvergne, Clermont-Ferrand, Cologne 2008, pp. 92-125.

Volk, Gregory: “Ungehemmtes Denken im öffentlichen Raum. Die Architekturmalerei der Katharina Grosse”, in: Parkett, no. 74, New York / Zurich 2005, pp. 118-123.

Von Lucadou, Walter: “Haunting, & Haunting”, Katharina Grosse and Walter von Lucadou in: Barbara und Katharina Grosse, exhibition catalog, Museum for Neue Kunst Freiburg, Nuremberg 2010, pp. 43-45.

Vetter, Uwe: “...touched by a gentle stroke of art.. ”, in Transparent Eyeballs, exhibition catalog, Dusseldorf Quadriennale 2010, Dusseldorf 2011, pp. 8-11.

Vettese, Angela: “Another Man Who Has Dropped His Paintbrush”, in: Another Man Who Has Dropped his Paintbrush, exhibition catalog, Galleria Civica di Modena, Cologne 2008, pp. 8-23.

Wäspe, Roland: “Der weisse Saal trifft sich im Wald”, in: Cool Puppen / Der weisse Saal trifft sich im Wald / Ich wüsste jetzt nichts, exhibition catalog, Ikon Gallery, Birmingham; Städtische Galerie im Lenbachhaus, München; Kunstmuseum St. Gallen, St. Gallen; Kunsthalle zu Kiel, Kiel, Wolfratshausen 2002, pp. 92-104.

Watkins, Jonathan: “Wie man mit dem Malen anfängt und aufhört. Jonathan Watkins im Gespräch mit Katharina Grosse”, in: Cool Puppen / Der weisse Saal trifft sich im Wald / Ich wüsste jetzt nichts, exhibition catalog, Ikon Gallery, Brimingham; Städtische Galerie im Lenbachhaus, München; Kunstmuseum St. Gallen, St. Gallen; Kunsthalle zu Kiel, Kiel. Wolfratshausen 2002, pp. 24-35.

Watkins, Jonathan: “Katharina Grosse in Conversation with Jonathan Watkins // 2002”, in: Painting – Documents of Contemporary Art, Cambridge 2011, pp. 161-162.

Wesseling, Janneke: “The Exhibition”, in: Holey Residue, exhibition catalog, de Appel, Amsterdam 2006.

Williams, Donald: „Katharina Grosse”, in: Every Day, exhibition catalog, 11th Biennale of Sydney, Sydney 1998, pp.106.

Wilmes, Ulrich: “Deep Fields” in: eat child eat, published by Ulrich Wilmes, Berlin, 2011, pp. 81-92.

Wiensowski, Ingeborg: “Reine Nebelschau”, in: SPIEGELreporter Nr. 7, Juli 2000, pp.138.

Wismer, Beat: “Inside the Speaker”, in: Inside the Speaker, exhibition catalog, Museum Kunstpalast Dusseldorf, Cologne 2014, pp. 127-132

Wismer, Beat: “Painting Remembered”, in: Location, Location, Location, Dusseldorf 2002, pp. 8-11.

Zweite, Armin: “Colour, Form, Format. 12 notes on Katharina Grosse”, in: Katharina Grosse, Nuremberg 1998, pp. 52-65.